Trina smarky mark series#
The 3-part EP series is a collection of original never before heard music and freestyles. He also is currently providing the internet with the much-buzzed-about EP, Rest Stop series, “Journey to Markyland, USA”. Present dayĬurrently, Marky is working on his debut studio album with Studio 43/SRC/Universal, set for release in 2010-2011. Fast forward to 4.3.09, when Marky released “Nothing is 43ver”, a “mini-album” with a plethora of personal songs that provided a peek into his life and outlined the growth of Marky as an artist. Shortly after, Marky’s first single "Sheila" caused a commotion in DC and gained some national notoriety for its original sound, so much so that it caught the attention of SRC Records chairman Steve Rifkind. He then went on to release two amazing mixtapes: “Homework 4.3” and “The Drive-Thru”, both of which were hosted by renowned DJ Mick Boogie, who is known for his creative mixtapes with Jay-Z, Kanye West, Coldplay, Adele, Little Brother and many others. No sooner had Marky joined the Studio 43 family than he began to make noise with the go-go anthem “Thug Passion” and opened the Screamfest '07 tour in Washington, D.C., with Ciara and T.I. Upon being introduced to Marky by his sister and business partner Robin Lyon, Burns heard his sound and told Marky, “I’m gonna put you in the studio and see what we can come up with.” Studio 43 / SRC Records Kenny Burns / Studio 43Įnter Kenny Burns, CEO of the boutique label Studio 43 and music industry veteran who has worked with superstars such as Mariah Carey, Kanye West, Akon, Dream and Monica, to name a few. While with the Trackboyz, Marky learned to perfect his flow, all the while determined to return to his roots and start a movement back home in Washington, D.C. From the moment they met Marky and his signature flow, the Trackboyz had no choice but to sign him to their upstart label. Louis-based production duo Trackboyz, known for crafting chart topping hits for Nelly (“ Air Force Ones”), Jermaine Dupri, J-Kwon (" Tipsy"), Nappy Roots, and Trina. In 2006, Ken Williams introduced Marky to Mark “TarBoy” Williams of the St. In a matter of time, a deafening buzz arose in the industry as heavyweights including Interscope, Atlantic Records, and Def Jam began to recognize Marky’s greatness. At the age of 11, Marky began his journey as an artist - from rapping over hip-hop classics and teaming up for a song with the legendary Erick Sermon of EPMD, to experiencing the opportunity to freestyle with Big Daddy Kane.
His AMPro debut on episode 7 did not go as planned however he believes there may be some deeper reason to him losing beyond just being pinned, perhaps the GM doesn't like him and is going out of his way to destroy him and his career.Raised in Kenilworth, Washington, D.C., and heavily influenced by the District’s infamous percussion-based rhythms of “Go-Go”, Marky has also become a student of hip-hop, embracing a variety of influences. Eventually he came to AMPro hoping to reach the levels of his idols. In between warshipping the indies, bitching about big name wrestling companies online, declaring that hes done watching there product (and then watching it anyway the following week), he started to do his best at becoming his wrestling idols through tons of training.
He began watching indie wrestling religiously falling in love with everything indie and turning away from "lamestream wrestling" treating the likes of Bryan Danielson, Low Ki, Jon Moxly, CM Punk and Super Dragon as gods, declaring those who got WWE and TNA contracts to be sell outs. He nearly gave it all up when, while moving out of state, he found a Ring of Honor show, an event that would ultimately change his destiny. He wrestled in many Southern Californian wrestling groups but just couldn't get away from being "that one guy". He started out as a pop star however his star failed to even get noticed before being shot down by the similarly named Marky Mark (and his funky bunch), He turned to wrestling in 1999 at the height of the grunge movement when he realized that the days of pretty boy pop stars are over.
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